Over 200 independent UK producers have signed open letters to BBC Film and Film4, urging the UK’s leading public services broadcasting stations (PSBs) to “reaffirm their core responsibility to support UK producers and protect the future of the UK’s independent film industry.”
This letter has been edited over the past 48 hours by the producer’s organizational producer anonymous. The group says it was written after a “growth alarm” on the support of BBC Film and Film4 for separate Cannes competition titles without a UK director or production company. Sentimental value and The history of sound.
Read the letters to BBC Film and Film4 in full. Latest list of signers
The letter requests three points from the PSB.
- A new commitment to projects produced or led by UK producers. This includes the support of UK-based producers, even if the film is led by international producers.
- Transparency as to how development and production decisions are made.
- Public consultations with the UK’s independent production community.
This is primarily addressed to BBC Film and Film4, with 17 additional recipients being copied, including BFI, ITV, British Council Film, Culture, Media and Sports Division (DCMS). Here, the letter remains open for signature.
Signers of the letter include Kevin Lauder from Free Range Film. Kate Byers from the early films. Rebecca O’Brien from 16 films. David Parfit from his trademark film. Farah Abushwesha of Rocliff. Approximately 25% of signers sign anonymously.
“Public service broadcasters exist to serve and strengthen the UK creative sector, and their obligations must start with British producers, whether the story is ingrained at home or international.
“In most countries around the world, if they need support from the PSB, they pass national producers. This is a basic policy. We ask the UK PSB to apply the same principles.”
Film4 Director Ollie Madden responded to the letter. “We are very sympathetic to the pressures facing independent British producers, which is a very challenging climate for independent British films,” Madden said. The development of British film-based talents is our key priorities and is deeply embedded in the tolerance of public service. Our commitment to supporting the most distinctive filmmaking voices working in the UK (new and established) works in partnership with maintaining a sustainable, independent production economy.
Over the past five years, Film4 has supported 47 British films. Of these, 22 were debut features. It won seven more British films by British filmmakers assigned to production this year. Film 4 spends most of its annual budget on talent development. The 2025 festival so far.
“Supporting our decision The history of sound After being nominated for BAFTA and Oscars, it was highly considered based on his relationship with (director) Oliver Hermanus. living (produced in the UK), and support him in his next project. The history of sound There is Thérèsa Ryan-Van Graan, a UK-based producer. He is a British citizen and lives in the UK. We couldn’t be proud The history of soundand with Mbi and Focus partners, I am very much looking forward to the Cannes premiere. ”
BBC Film Director Eva Yates also commented. “Creating unique opportunities for British filmmakers to launch their careers and grow the scale and ambitions of their work is at the heart of BBC film’s priorities as a public service broadcaster,” Yates said. “In the last five years, BBC films have supported 65 productions, of which 63 have been made by UK producers or co-producers, representing 96.7% of our overall functional production activities over that period. We have supported 37 short films from British filmmakers since 2020 to support our early careers.
Additionally, over the past two years, he has supported 24 UK production companies through the BBC’s small indie funds. So far, it has funded the production company’s placement of 19 associate producers, helping to build career pathways for UK producers from underrated groups.
“3 of the four films in the official selection at Cannes 2025 – Pillion, Father’s shadow, Sea sea urchin – UK-based writer/director and UK producer, all with long-term development support from BBC films. Fourth, Joachim Triers Sentimental valuean exceptional film that covers themes that resonate with the BBC audience.
“We are proud of our support for British filmmaking, which has helped launch some of the most exciting filmmaking voices of recent years, and can also promote international relations that support culturally urgent work with the appeal of the BBC’s strong audience. We welcome open dialogue to recognize the challenges faced by independent UK producers and work together to build a more sustainable and prosperous independent sector in the UK.
screen We will first report on the topic this Tuesday (April 29th) and ask BBC Film and Film4 to clarify their involvement. Sentimental value And Hermanus The history of sound, It will be unveiled for the first time at the Cannes competition.
The letter is fully published below, with an updated list of signers named below.
Letter to BBC Film, Film4
Dear BBC Film and Film4,
As an independent UK-based producer, we write to express our collective concerns about the recent funding decision that appears to be at odds with the responsibility of the Public Services Broadcasting Station (PSB) for the UK’s independent film sector.
As reported, it caught our attention Daily screen screen (“Do BBC Film and Film4 Support Cannes Competition Films Without British Directors and Producers, respectively?”, April 29, 2025) Both Film4 and BBC films provide financial support for two Cannes competition projects – The history of sound and Sentimental value – Developed without UK Director, producer, or important UK production involvement. These decisions are particularly troubling given the very limited financial resources available in UK independent films (£11 million for BBC films, £22.5 million per year), and the increasingly unstable state of the independent sector.
While recognizing and cherishing the contributions of international talent and celebrating the global nature of storytelling, PSB, tasked with supporting the UK’s creative industry in particular, believes that investments in UK-based producers and creative talent must be prioritized. Even if European PSB broadcasters have a budget that wars the modest amount available to support British filmmakers (Arte France’s overall budget is 140 million euros per year, while Rai Cinema’s budget is around 78 million euros per year, which cannot support 50-70 films. The director has a much larger resource. These organizations maintain clear protection against their involvement in the nation’s production, and we seek the same respect and protection of our sector at home.
Independent producers struggle to survive in the face of declining budgets, rising costs and reduced funding opportunities, and believe that their ambition to secure strong work for their UK audiences should not come at the expense of fostering, maintaining and building an independent UK production community. BBC Film and Film4 spokespersons defend these decisions by referring to the commercial potential of films and the strategic defining of broadcasting rights for free broadcasts, but believes this approach undermines the cultural and developmental authority that public funds are intended to support.
The lack of involvement of independent UK producers is not limited to completed films. We know that we develop directly with writers, including writers based in Europe and the US, without the involvement of British producers in the early stages. This practice further bypasses the role of an independent producer and the very communities you are required to support. It also puts UK producers at an even greater disadvantage.
Finally, the lack of direct response Daily screen Films directed by BBC Film and Film4 are also of concern. Independent producers are expected to operate with transparency and accountability, and the same standards are expected in return. Public dialogue must form an important bridge between the foundations of public service media and the future of the filmmaking community. Thank you Monatubbara Daily screen screen We have been trying to raise them for a long time to bring attention to the subject.
When the UK’s independent sector is under unprecedented pressure, we ask:
A new commitment to fund UK producer-developed and led projects.
Transparency in development and financing decisions.
Public consultations with the UK independent film community that you require to support.
We invite BBC Film and Film4 to demonstrate the future of British film and its commitment to British filmmakers who rely on your support and public responsibility.
I look forward to the thoughtful response.
Sincerely,
Complete list of signers
Signer on 2/5/25 | company |
---|---|
Catlin Cooper | |
Paula Vaccaro | Pinball London Ltd |
Farah Abush Wesha | Rocliffe |
Rebecca Wolf | Understand Nettle Films Ltd. |
Poppy Ohagan | A giant movie |
Nick O’Hargan | Giant Films Ltd |
Kamille Gattin | |
Kathy Spairs | HellyAa Ltd |
Samm Haillay | Killuan |
Allison Sterling | Ignition Film |
Aaron Bruckner | Pinball London Ltd |
Brett Gregory | Serious feathers |
Richard Holmes | A big, rich movie |
Jessica Gardner | Divergent photos |
Victoria Thomas | Republic |
Lucy Wenijegarba | Spring photos |
Chris Carring | Zephyr Films |
David Wade | 1906 Production |
Cassandra Sigsgaard | Jeva’s movie |
Agustina Figurus | Bardo North |
Siline Best | Other Productions |
Dewi Gregory | Truth |
Helen Siffre | |
Julie Baines | Then the movie |
Oliver Roskill | Record player movies |
Wendy Griffin | Selky Production |
Matt Wilkinson | Stigma Films Ltd |
Verity Wislocki | Wislocki movie |
Ben Pullen | Sentinel Entertainment |
Anna Davis | Wild movies |
Sheila Noteley | |
Fiona Gillies | Gilliesworks |
Nicola Quilter | Rocket Room and the Story First |
Ed King | Bowman movie |
Michael Knowles | North of Watford Films Limited |
Jude Gold Ray | Moon Lander Movie |
Scrimshow dial | Combustible film |
Linthia Daniel | |
Jack Talling | A trembling movie / Mother’s tongue |
Rita Oshi | |
Lowry Cook | Big Scope Movie |
D Martin Browning | 40 Field Photos |
Archie Ohhyun | |
Jacob Thomas | |
Joseph Tap | Pedestrian movie |
Colette Delaney Smith | Blunt Pictures Ltd |
Neil Chordia | |
Dahlia Nitche | |
Alexandra Breed | Trafalgar St. Productions/Life and Death Films |
Let’s make it a glyph | Griffin Photos |
Mercy McClellan | Frank & Live |
Chris Patterson | Causeway Photos |
Lindsay Dryden | Little by little movie |
Pat Winter Sugi | Movie shed |
Pat Toookie – Dixon | Right side |
Diarmuid Hughes | |
Jonathan Taylor | Then the movie |
Martin Gentle | Star Child Photos |
Anna Mall Piecchu | metfilm |
Stewart Le Marécal | MetFilm Production |
Georgie Padgett | Caspian movie |
Jesse Romane | Minors |
Joy Gharoro-Akpojotor | Joi Productions |
Promoted Crane | Caspian movie |
Corey McCarthy | 40 feet photo |
Atul Malhotra | Rebellion movie |
Jamie Gamash | Lowkey movie |
Conor O’Hara | Lowkey movie |
Colin Pong | North Studio |
Eletra Pizzi | 130 Electra Movies |
Richard Heap | Slackjaw movies |
Sonja Henry | Created by Sonja Henry |
Anya Lizenkova | Zephyr Films Limited |
Allison Morrow | MetFilm Studios |
Charlie Phillips | |
Jean McManhon | |
Miranda Ballesteros | Moody |
Rupert Lloyd | ATAR Studio |
Suki Chan | Conswistious Productions Ltd |
Rigiji’s bath | Reverse image media |
Daniel Conrad Cooper | Rather Good Films Ltd |
Andy Patterson | Company Ink Ltd |
David Parfitt | Trademark movie |
Timothy Burrill | Formerly Barill Production |
Kate Wilson | 0FF Entertainment Ltd |
Malcolm Moore | Planispheres |
Mark Samuelson | Route 24 Ltd |
Ben Careed | |
Jack Thomas O’Brien | Sixteen Films Ltd |
Gina Lions | Gobby Girl Production |
Margaret McGoldrick | What are the photos of the next movie/Causeway? |
Sophie Vickers | Meduza |
Anne Thor Dupont | Impossible production |
Rebecca Baker | Cut + Roll Film |
Mark Hopkins | Kleos Productions |
Kate Cheeseman | TrickDog Ltd |
Lizzy Singh | University of Sussex |
Deva Palmier | Deva movie |
Nikki Bentham | Neon movies |
Alexander Bodine Sapphire | Breaking Productions Ltd |
Tamaraigle | Freelance independent producer |
Michelle Stein | Folding |
Georgia Nice | Addicted woman |
Sofia Sinclair | Wisdom sync |
David P. Kelly Movie | David P. Kelly Movie |
Ryan Bennett | Paperepic Productions |
Annie Leeds Jones | A well-made movie |
Rebecca O’Brien | 16 movies |
Jesse Drake Mangum | A little strange photo |
Yes Southwell | Aston Production |
Meera | Westhothton Films Ltd |
Tracey Scoffield | Turbine Studio |
James Watson | Wild beast |
Camilalen | Playful movie |
Cleo Hodgkinson | Fab Films London Ltd |
Sophie’s Friend | Taletime Photos |
Mark Branny | Footprint film |
Kate Byers | A childhood movie |
David Friedman | New indie movies |
Linwait | A childhood movie |
Helen Jones | Silver salt film |
Ciara Barry | Barry Kreller |
Rosie Clera | Barry Kreller |
Marklow | Asylum Giant Ltd |
Giada Mazzoleni | Pagro movie |
Emily Jufroy | Awesome photos |
Mike Parker | Rising Tide Ltd |
Brian J. Falconer | From orbit |
Tom Kimberly | A little strange photo |
rGold | |
Oliver Kassman | |
Becky Rooney | Rooscreen Ltd |
Robert Jones | Jones Panny |
Lori Roberts | Rapt Pictures Ltd |
Daniel Edelstin | Optimistic Production |
Christo Heard | Dartmouth movie |
Sean Scott Griffin | Rebels are ok! Ltd |
Kevin Roder | Free range film |
Jackie Shepherd | Footprint film |
Marie Elena Dish | Meraki movie |
Ed Owls | Postal code film |
Sasha and Peace | Pablo & Zeus / Caviar |
Pietro Greppy | |
Alix Austin | |
Vivien Muller-Rommel | 1 |
Mikko Maker | Wild beast |
Dennis Elle | Meitheal Productions |
Christine Hartland | Patchwork Production |
Genevieve Ingham | self-employed |
Sam Bank | Brain Trust |
Brook | Freelance |
Emily Everdy | Everdee Media |
Adrien Lillon | West 3 minutes |
Dominique Webb | Inceptive Film |
Tracy Oliordan | Moonspun Films Ltd |
Conor O’Hara | Lowkey movie |
Cat’s ears | Snow |
Charlotte’s Wall | Catalyst Global Media |
Ed Gibbs | Smoking Bear Production |
Rolandin | Delaval movies |
(TagStoTRASSLATE) BBC Film (T) Film 4 (T) Production (T) UK/Ireland