The first World AI Film Festival begins on April 11th with the twins’ aim of awarding video works and scripts created using artificial intelligence technology, bringing together important figures from film and AI Tech Worlds to discuss ways to creatively and ethically blend the two industries.
The festival is the brainchild of former Apple Worldwide COO Marco Landi, who co-founded the French-based Europia Institute, dedicated to raising awareness about the challenges of artificial intelligence.
“Our aim is to show how AI doesn’t destroy creativity. On the contrary, it gives your imagination more opportunities,” Randy said. screen.
However, he added: “We need to find a way to keep this exciting technology in control and make sure this powerful tool is used in cinemas, music, writing, production – all the ways that are involved in filmmaking.”
Landi said the organizers have received projects from 65 countries and are a mix of AI students, filmmakers and experts using the technology to create scripts and films.
The festival has captivated heavyweight partners, including Arte, TF1, Canal+, Pathé Films and Banijay Entertainment. Genario, an artificial intelligence platform specializing in scripts, is another festival partner and sponsor of the award.
French film director Claude Lelouch will chair the two-day event. Emilia Perez Screenwriter Thomas Bidegaine will host a ju judge, including Bannijay France CEO Alexia Laroche Jubert and actress Philmaker Julie Gaite.
The festival’s awards ceremony will be held on Friday evening (April 11th). On April 12th, film industry experts will be convened with AI experts for a series of roundtables focusing on topics such as the artistic and ethical limitations of AI technology, funding films in the age of AI, and copyright.
SRF, a guild of French directors, brings together fellow filmmakers Bertrand Bonello, Axelle Ropert, Thomas Coispel and Bidegain for discussion about watching AI influence the film.
Videgaine said screen He has not used AI technology so far, but he has directed the ju-describers “out of curiosity” and as a way to “discover the possibilities” of AI in the writing and filmmaking process.
“So far, we don’t know that we’re interested in our job, so we want to see how that affects our profession,” he said. “Because AI exists, the question we’re asking is, “How is it used in cinemas?” Films demand creativity, so where is the AI location?
“I’m in the Oat Cinema business – originality, originality, creativity and an important signature,” added Bidegaine.
(TagStoTRASSLATE) Artificial Intelligence (T) Europe (T) Festival (T) France
