Netflix unveils fresh industry initiatives at Busan’s Creative Asia Forum

Netflix is ​​set to launch a “first-time” initiative in Australia designed to support neural people entering the industry.

Netflix Executive Mini Kim spoke at the Creative Asia Forum at the Busan International Film Festival, saying the Lumina Initiative “will provide people with a path to gaining employment in the visual effects industry.”

It started next week and launched in collaboration with bus stop films and spectral films. This was chosen for Netflix’s upcoming gain training and onset work placement in local productions. My great career – A historic drama starring Philippa North East.

Expanding the initiatives of streamers in the Asia-Pacific region. Netflix has partnered with over 250 local production costumes since it began production almost a decade ago.

Kim, APAC VP of Netflix content (Ex-India), also announced that a Creative Asia Conference will be held at the Jogja-Netpac Asian Film Festival (Jaff) in Indonesia in December. The goal is to connect emerging creators in Southeast Asia with masterclasses, training and networking events.

According to The Streamer, the 2021-2024 Skills and Talent Initiative has reached 8,000 across APAC, with hundreds more added this year.

“We are committed to creating an environment where the environment in which teams feel safe, respected and inspire, is thriving because a better work environment and a healthier team culture leads to higher quality and creative work,” Kim said.

Expansion Initiative

Ongoing initiatives include Reel Life, a Southeast Asian programme, which has trained new creatives for the past few years to improve the skills of the local production industry.

In Japan next week, Netflix will host master classes and events at the Osaka Expo, particularly to empower producers, directors and screenwriters working outside of Tokyo.

In Taiwan, streamers are collaborating with local partners Yiyi Pictures and The Taiwan Producers Association to host practical training initiatives for emerging writers and production experts who will have the opportunity to tackle Netflix Originals. These programs provide participants with six months of training and work experience.

In Korea, the fifth version of the VFX Academy has just been wrapped up. Kim said Netflix has been working with the Korean Academy of Motion Picture Arts (KAFA) in the past two and a half years to train more than 330 VFX students, with 70% of its alumni already securing jobs at facilities such as Irene Studios, Westworld, Virginia, Dexter and Gulliver Studios.

Intimate coordinator

Kim was followed by Sung Q Lee, APAC producer on Netflix. He led a panel that discussed how Japanese intimate coordinator Nishiyama Momoko first introduced roles to local productions in 2020.

“The people on set feel safer and want to be more vocal, and there’s more open debate,” she said. “It’s okay to say no or express what you’re comfortable with right now. It’s not just the actors and directors. The staff are happy too.

Speaking at a forum launched by Netflix in collaboration with Busan last year, Biff Program Director Karen Park highlighted how perceptions of Asian works have changed worldwide.

“Asian creativity was always there, and it wasn’t seen,” she said. “Now, it’s finally changing thanks to its global platform and changing attitude. The talented filmmakers who once struggled to get funding and distribution enjoy the opportunity to co-production and meet global audiences hanging from every frame of the film.”

Park was also praised for the part Netflix played in breaking down linguistic and cultural barriers. “Everyone is watching now Squid Gamesubtitles aren’t scary anymore,” she added. People are beginning to see Asian stories as complex and emotional, not “exotic,” not universal human stories, not “oriental.” ”