Iranian Danish film director Ali Abbasi wants to explore historical figures and see fewer films that have been made that focus more on the present.We’ve been too focused on the past. ”
“In the last 20 years we’ve been doing too many historic dramas. We’re guilty of accusing ourselves. Too many things (set at various times). We’re having a very exciting and crazy era.
“If you compare last year anytime in the 1990s or ’80s, it’s exploding, and when you watch movies, cinemas, TV, etc, you really don’t see it.
Abbasi was speaking at a masterclass directed by Fried of Galway Films on July 12th.
His Cannes 2024 Premiere apprentice It follows the complicated relationship between President Donald Trump and President Roy Corn, the lawyers who influenced Trump during his formative years from the 1970s to the 1980s. It was created as a co-produced by Canada-Ireland Denmark.
Abbasi recalls the challenges of drawing on-screen figures who have “been as famous as Jesus Christ” and “a parody of myself.”
Before casting Sebastian Stan in the lead role, he first tinkered with the idea of using heavy prosthetics and thought of playing Trump on a woman. I’m not there. “It turned out to be too gimmick,” he pointed out.
It relates to what the repeating threads are throughout his work, including the Cannes 2023 premiere The holy spider, Smart, a prostitute murder case in the sacred city of Mashhad, Iran, Abbasi is a place called “Meet the Vatican and Las Vegas,” and is not the winner of 2018 BorderAbbasi said:
He continued.
(TagStoTRASSLATE) Galway Film FLEADH (T) Iran (T) UK/Ireland
